Masterclass – Painting Course – Materials List.
Winton oils have a strong pigment for student quality. Of course artist quality paints are better but more expensive. Winsor and Newton artist quality is good, or Michael Harding (my favourite).
Titanium white, lemon yellow, cadmium yellow light, cadmium red medium, permanent alizarin crimson, phthalocyanine (phthalo) blue, ultramarine blue, yellow ochre and burnt Sienna or burnt umber or raw umber.
With this selection of paints, you will be able to mix any colours you need. Don’t buy cheap paint as there is no pigment in them and they only make work for you!
Brushes and Palette Knives
You will need a selection of brushes in different sizes. (Rosemary & Co., Ivory or hog hair long flats and filberts 2, 4, 6, and 10 are my favourite brushes). I am sure you have lots of brushes already so go with what you have to start.
Two tear shaped palette knives in different sizes, one small, one large .
Stretched canvases or canvas boards. I will be painting my demonstrations on lots of different sizes including 15x20cm, 20x25cm, 25x30cm, 30x30cm, 60x60cm and 60x80cm boards and canvases during the course.
My advice is not to paint big on the challenges. A 20x25cm or 25x30cm (8″x 10″ or 10 x 12″), would be best so you get it finished quickly. You will have a challenge at the end of each module so whatever size you decide on get 6!
Disposable, wooden or glass palettes. But an old tile will work too.
Sansodor (Winsor & Newton), Gamsol or Zest-it, or a similar product with no smell.
I mix my own medium of 50/50, solvent/refined linseed, or walnut oil.
Baby wipes or paper towels/kitchen roll table easel
Table or floor easel.
I will run through all these supplies during the course too. Don’t worry if you don’t have everything.
Most of the demos only use three colours, cadmium yellow, cadmium red and ultramarine blue + white (and yellow ochre to prime canvas).